“I don’t really get to play the bad guy a lot, but I do get a nice range of roles,” Damon said. Ripley.” In “Suburbicon,” he’s a bland suburbanite who becomes a monster. He also stars in Alexander Payne’s “Downsizing,” in which - as so often - he portrays a likable everyman.īut Damon also can play the psychopath, as he demonstrated memorably in “The Talented Mr. Saturday was Damon’s second time on the Venice red carpet this week. Damon and Moore practically explode with suburban repression, and there’s a delicious turn by Oscar Isaac as a prying insurance investigator. On one level, “Suburbicon” is a comedy, in which the best-laid plans of Damon’s scheming corporate executive go bloodily astray. We’ve still got a lot of work to do from our original sin of slavery and racism.” “We are still trying to exorcise these problems. “Unfortunately, these are issues that are never out of vogue in our country,” Clooney said ahead of the film’s red carpet premiere.
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The images of white rage in the movie feel unnervingly contemporary, recalling last month’s rallies in Charlottesville, Virginia. They fused that idea to an unproduced script by Joel and Ethan Coen about a similar white-picket-fence community where a crime goes horribly wrong in farcically bloody ways. They remembered 1957 events in Levittown, Pennsylvania, a model suburban community where white residents rioted at the arrival of a black family. That set Clooney and writing-producing partner Grant Heslov to thinking about other points in United States history when forces of division were in the ascendant. “I was watching a lot of speeches on the campaign trail about building fences and scapegoating minorities,” Clooney said. It fuses a script by the Coen brothers with a narrative about racial divisions inspired - in a negative way - by Donald Trump’s presidential campaign. “There is a dark cloud hanging over our country right now,” he said.Īmerica’s divisions give an unnerving timeliness to “Suburbicon.” The satirical film noir stars Matt Damon and Julianne Moore as residents of a seemingly idyllic - and all-white - 1950s suburban community that erupts in anger when a black family moves in. now is “probably the angriest I have ever seen the country, and I lived through the Watergate period of time.” The couple are parents of twins, born in June, and have an Italian home nearby on Lake Como.Īt a news conference earlier in the day, Clooney said the U.S. Akshay and Shalini Vatsa (Pankaj’s wife in the film) too offer a restrained but strong act.Clooney was joined by his wife, human rights lawyer Amal Clooney, on the Venice red carpet Saturday. Pankaj Tripathi’s sturdy, brooding performance brings out his best while Ragini Khanna rises up to her character and delivers an impressive performance. The rawness of their characters, the unapologetic attitude and a sensible handling of social and gender equations is all there. In fact, Shankar’s style of filmmaking is a reminder of Anurag Kashyap’s craft.
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Not comparing Shankar’s film with the 2015 thriller, but the two films are on the same lines - both uncover the darkness that lies beneath the human skin and show us how mean we can be, even within our families. If there is one film which showed similarly mean and dark characters, it is Anurag Kashyap’s Ugly.
The lingering dark frames and shaky camera add to the heavy impact that Gurgaon leaves. Without being offensive to either sides, he manages to depict the issues vis-a-vis our moral and family values. There are farmers losing land to government officials and real estate agents, high-class pubs, farmhouses and discos, pieces of land waiting to be turned into new concrete jungles and more.Īpart from an authentic portrayal of the village-turned-metro city, Shankar also displays a deep sense of understanding the gender equations in our society. The film also gives us a blunt commentary on the way a rural area was transformed into a cyberhub that Gurgaon is today. What follows is a dark tale of the worst emotions human hearts can conjure up and the film brings forth the most meanest of twists to the family drama. Kehri Singh (Pankaj Tripathi) is a real estate baron, who rose from rags to riches and wants to retire, passing on the baton to his daughter Preeto (Ragini Khanna).
It’s a dark story of a family living in Gurgaon - the city - and the members struggling with their individual demons, of conscience and the past. Shanker Raman makes his directorial debut with Gurgaon and has gathered a group of solid actors for the film. Then, why should you watch it? For its thrilling, dark and twisted story and the director’s understanding of our deep-rooted gender issues.